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  • On the subject of a possible change of (Internet) location…

    I’m flirting with the idea of shifting this blog over to WordPress. Having had a look at the features on the site, it does seem to have a number of advantages over Livejournal (particularly as relates to customisation), and I can also shift all the entries I’ve got here over, so my random burblings for the last four years will still be easily available for those foolish enough to want to look for them. And I’m presuming I can probably set up an RSS feed to Livejournal to keep things going here. The decision is not yet made (and probably won’t be for a while): a good move, or a foolish endeavour?

    Edit: Okay, I’ve just found out that WordPress also exists as blogger hosting software. Consider me confused. I guess, are there better possibilities out there? And is it kind of daft asking this sort of question when only the people who use Livejournal are going to read it?

    Head hurting. Must go lie down…

  • TV EYE: Flashback – Classic Who Overload (Part 1)

    There are certain bargains that I can ignore, and then there are the ones that I can’t. Wandering into budget music/DVD shop Fopp a few weeks back, I was flirting with the idea of maybe being naughty and picking myself up something on DVD – but then what I saw told me that yes, I was in trouble, because they had a fairly significant pile of classic Doctor Who DVDs, and virtually all of them were £3. Within minutes I had a frighteningly large pile of discs, and I did end up being strategic and not simply getting every single one that I didn’t have (I’m not a Who completist – there are stories are love, and there are stories I’ll be happy to never ever see again (Hello, Resurrection of the Daleks…), but I did end up emerging with a pile of ten new Who DVDs (one box set, and six seperate releases). Some of them were the chance to replace stories I previously had on VHS, while others gave me the chance to see stories I hadn’t seen for an absurdly long time, and there were even a couple that I’d never actually seen at all. And naturally, they set off lots of thoughts about storytelling, what the show means to me, and the constantly evolving relationship between classic Who and New Who. And as usual, fear the spoilers…

    Planet of Evil, The Keeper of Traken, Logopolis, Castrovalva, Four to Doomsday

  • Another Green World

    Plans never quite work out exactly how you want them to. Got up this morning intending to have a day out – and in that I succeeded – although my intention to get out of Manchester and get to Buxton didn’t go according to plan. Instead, I leapt on what I thought was the correct train, wasn’t told otherwise – and an hour later found myself waking up in Crewe. Not somewhere I wanted to be. And that was after having bought two new comics on the way to the station, and then succeeding in leaving them on a bench in the station, and only realising after the train was in motion. On top of everything else, there wasn’t really an easy way of linking where I was to where I wanted to be, so I had to go all the way back to Manchester and start again (although at the least, it was a fast train with only three stops). After a night’s sleep that felt more like having a fight than getting genuine rest, I was all ready to be messy and upset, and yet by the time I got to Buxton (3pm), I actually found myself in a pretty good mood, and discovering the Pavillion Gardens there was actually rather lovely. A big, sprawling set of parks, lots of Victorian (and older) buildings with some very impressive domes, and the sun even came out, making the whole thing feel restive in a way I really needed. I’ve wanted to get out of Manchester into the Peak District for a while – and hopefully today means I’ll have ironed out the bugs in the programming for next time’s journey. I didn’t used to notice the natural world quite as much as I do now, and I like being this way. I’m going to get out again, and I’m going to remind myself that however difficult and claustrophobic my life on my own may feel at times, there’s a bigger world that’s out there just waiting to be discovered.

    And hopefully next time, I’ll at least try and read the comics before I lose them…

  • A Tale of Two Rewrites (Or, In Praise of Adventure Romps)

    In which Saxon discusses at length many things relating to his book, and writing in general…

  • The Strangest Thing

    News: the rewrite on my book is done. Which should in theory mean flags in the streets, a day of national celebration and a letter from the Queen, but what it actually means is a general sense of “Oh blimey, what the hell do I do now?” Combine this with my general habit of getting somewhat downcast once any major project is finished, and I could easily have gotten hopelessly miserable last night – but instead, I headed straight into town and watched Drag Me To Hell at the cinema. Had a fantastic time, although it’s a gleefully odd movie – it’s almost a fantastically well-crafted grim and doomy old-school horror movie in the vein of Night of the Demon, but with lots of Raimi’s patented cartoony ultraviolence and viscera sandwiched in. It’s easy to tell that he’s been missing this kind of thing – there are moments in the film that certainly get close to the demonic energy of Evil Dead 2, and the impression is that of a director letting his hair down and really having fun. The only trouble is that the cartoony stuff really doesn’t sit well with the rest of the story – it’d be rather like interrupting Evil Dead 2 every ten minutes to try and deal with Ash’s psychology or background. Evil Dead 2 works so well because it’s an unashamed cartoon, and here it’s bolted to a story of slow-burning menace and dread, meaning it’s a bit bizarre when we’re suddenly in the realm of bonkers Evil Dead-style seances and seeing how many horrible liquids can be thrown all over Alison Lohman. But it’s far more exciting and enjoyable than any of the bland PG-13 horrors that have come our way, and far more interesting than yet another exercise in Torture Porn.

    This morning – well, this morning I discovered that while most Postmen may be fine upstanding fellows, there’s at least a couple who are bold-faced liars. Last week, I came home from a walk in the park to see a postman outside my front door, in the proces of doing something with a parcel. Now, I presumed he was filling out one of those “Sorry you weren’t in” cards, and rushed up to take possession of the parcel, which it turned out was for Anna. Thanks were said, and I went inside to find more envelopes waiting on the doormat – and a “Sorry you weren’t in” card with my name on it. There were some parcels I was expecting (although I wasn’t expecting them quite this quickly) so I immediately rushed along to the postman who was only a few doors away and asked about the relevant parcel – and he looked at me and said something along the lines of “Oh, that was for the one I gave you.” At this point, I figured “Oh – how annoying” and went back home. I’m very English, and it’s very easy when given an explanation like that to think “Well, I guess that explains it…” and it’s only until later that thoughts like “Yes, but why would he have written my name on it?” came to mind. It was odd, but I didn’t really figure anymore about it. Anyway, one of my parcels turned up the day after, and another one the day after that, so all appeared to be well. All that was left was the biggest parcel, the one from Amazon.co.uk.

    By the time it got to Wednesday, I was thinking “Hmm…” because they can sometimes be late, but they don’t normally take this long. By the time it got to Friday I was thinking “Grrr…”, and my thoughts returned to that card. Thankfully, I’d been sensible and not thrown it away. The Sorting Office where parcel pick-ups happen is a good twenty-five minute walk from my house, and it’s often a place where you’re greeted with a truly terrifying queue, so it wasn’t something I was relishing, especially when there was every chance that it was just a mistake and that I’d go there and be greeted by a “Huh?” when I presented the card. Anyhow, as I’d gotten into the habit of waking up very early, the idea occurred that I could head along there early – especially as it’s open at 7AM. So, this morning I did that very thing, walking through the rainy streets of Manchester, figuring I was wasting my time, I got to the office… and moments later the parcel was in my hand. The bugger lied. I’ve encountered this once before – Postmen on our round do occasionally seem to like the idea of leaving the heavier parcels in the van and posting “Sorry you weren’t in” cards through the door without actually knocking first. I’m glad I got the package, and I didn’t need it urgently – but rather unhappy that it sat in an office for a whole week when it didn’t need to.

    And now, having vented, I shall sit in a corner and read some more Jack Kirby comics. Hurrah!

  • Detonation Imminent…

    Okay, the news is filtering around the Internet and sure to be causing various Whedon fan message boards to explode with rage, but there’s a new Buffy movie being developed by the people responsible for the original (not exactly exceptional) movie, and Joss Whedon currently isn’t involved. It’s not hugely surprising, especially with the current success of Twilight, that the people who own the rights of Buffy are thinking of doing this (Vampires? Romance? Action? Attractive teen leads? Ker-ching!) It’s apparently planned as a ‘relaunch’ or reboot, and while this does cause a certain rolling of the eyes at yet another example of Hollywood eating its own tail, it isn’t necessarily a bad idea in theory. Not saying it’s a “can’t miss” idea, either – in practice it will, to be honest, probably not turn out well – especially since one of the Exec producers is Roy Lee, a producer who’s been singlehandedly responsible for virtually all of the pale and unconvincing Asian Horror remakes that have clogged up screens for the last few years.

    But to be brutally honest, Buffy always worked best when she was at high school. The show was at its strongest, and the metaphor was it its strongest, when she was a 16-17 year old struggling with adolescence and the travails of battling the undead. Not to say there wasn’t some great material after the end of Season 3, but it only rarely hit the heights of earlier episodes (especially my favourite run, the second half of S2) and did, frankly, turn into a bit too much of an extended soap opera at times (especially during S6). Added to which, while there may be a sense of “why can’t they get the original cast back”– they’re all in their thirties (or, as in James Marsters’ case, their forties), and I really think that the time for a big reunion episode has passed. (I actually watched an episode of Buffy for the first time in a while recently (S4’s ‘Something Blue’) and while there’s still some great moments and some great dialogue there, there was something about it that slightly set my teeth on edge – it’s possible that my time as a Buffy/Angel fan may have passed as well…). Dark Horse’s ‘Season Eight’ comic is actually doing a pretty entertaining job of continuing the story on a scale they’d never have managed on TV, and sometimes things reach their natural end.

    So while I’d be surprised beyond words if a new Whedon-free Buffy movie was good, it’s not a complete impossibility. And I think that the central metaphor is strong enough to handle different interpretations. It might be interesting. It might not. But whoever does end up doing it would be wise to not ignore everything that the series did get right – and they’d also better be prepared for a rough ride from the fans…

  • Comic Eye: The Round-up

    Okay – as I have gotten firmly back into comics (partly due to reviewing them for SFX, partly because quite frankly I need all the four-coloured escapism I can get right now), I’m going to start doing quick round-ups of the comics I’ve been reading. They will be short, and to the point. (Except when they’re not…)

    The round-up (and fear the (mild) spoilers…)

  • Extraordinary Gentlemen

    It really doesn’t pay to be an impatient Alan Moore fan these days. I mean, it’s been a very long time since the Great Beard has kept to a completely strict month-by-month schedule with his comics work (there was a brief window with his ABC work post-2000 where things were regular, but it was soon over) – but the delays have gradually gotten worse and worse. I can remember when the second series of League of Extraordinary Gentlemen came out – and the first three issues were out on a monthly basis. Stunned was not the word. But then, of course, issue four took a while, issue five even longer, and issue six, well by the time we were on issue 6 we were definitely a year later. And of course, in certain respects it doesn’t really matter how long things take as long as they’re good – I just wish the delays wouldn’t keep getting longer. It was bad enough with The Black Dossier – which was delayed and delayed until a specific publication date was stated, and which was then delayed for another year thanks to in-house squabbles at DC – but things do seem to have gotten even worse with League volume 3. Announced back in 2007, I was amazed to find that not only would we be getting the Black Dossier at the end of the year, but 2008 would also see the fabled volume 3, published as a trilogy of self-contained (but interconnected) graphic novels from Top Shelf and Knockabout (with Moore having finally severed all links with DC) – a story that would take the world of the League from 1910 to the present day of 2008! And then, of course, we got to 2008, and the notice “A 2008 release!” on the Top Shelf website got shifted to “A 2009 release!” We inched gradually towards the release of the book – and even that managed to be delayed. The US got the book on time, but while some places in the UK got it, others didn’t. And now, the Top Shelf website has put up a page for volume 2 of Century – and it’s got the exciting tag of “To be released in 2010”! (The sound you can hear is of me bashing my head against the wall…)

    And of course, if the first volume of Century had been a bitter disappointment, this would be even worse – but it’s really, really good. The Black Dossier came in for a reasonable amount of criticism, and some of it is justified – it does have way too many digressions, and it is very obviously a sourcebook with ideas above its station (it also doesn’t help that it was very obviously designed to be printed in the oversized Absolute format, but the Absolute edition ended up as such a rip-off (especially thanks to shoddy print quality) that the ordinary size format is still the best way to read it), but it does also expand the world of the League in a number of ways. However, Century volume 1 is a much more coherent piece of work, and while much darker, bleaker and more violent, it does feel like it continues the themes of volume 2, especially the occasionally disturbing examination of the nature of heroism. The characterisation is also a lot stronger, making much more of the main character’s immortal status than before, and while the references are in the Black Dossier realm of more obscure and less pulpy, the story is still highly effective and powerful. It also nearly gets away with being, essentially a musical – it’s a take-off on Bertolt Brecht’s Threepenny Opera, and knowing a couple of the songs (in their original version) did help the enjoyment of the sequences where the narration (or the characters) are singing. Whatever rough edges there might be, it’s an effective tale with more humour, more brutality and hints that the story will (whenever we actually get the next instalment) be heading in some very interesting directions. And above everything else, there’s Kevin O’Neill’s work which keeps on getting better, creating a whole gallery of very English grotesques. I’m pretty sure that once the series is complete, Top Shelf will do an Absolute-sized set along the lines of the Lost Girls set. Can’t wait to see it in that size – I just get the worrying feeling that we’re going to have to wait a very, very long time…

  • Blush Response

    The end is closer. I’m actually getting within sight of finishing the rewrites, and I’m basically in the end stages of ploughing through the book and doing what needs to be done. What’s been particularly scary is that I’ve made a couple of fairly major character ‘enhancements’ on this pass – basically beefing up background, smoothing over motivation and trying to get it so that the characterisation works – and it’s rather like flying blind through a rainstorm and hoping beyond hope that the runway is actually there. I know that the stuff I’m doing is making the book much, much better, though, which is something of a relief. And I’m also having faith in the book as it stands – I’m never going to get it perfect, it is what it is, and it’s the kind of thing that isn’t going to go down spectacularly well with everyone. But it’s all me, and the version that will be the new ‘2009’ draft is going to be significantly better than the last version that was out with publishers. I’ve done my best. Can’t really ask for more.

    But wow, I am definitely taking a little bit of a break once this is done. This has been a terrifying amount of work – possibly the hardest thing I’ve ever done, ever. And of course, if this does pay off, my reward will be to do it all again – and faster…

    And you know what? I’m rather looking forward to the idea…

  • That Lucky Ole’ Sun

    It’s probably the sunshine, but I’m feeling better. Having two consecutive good nights of sleep helps (even if last nights was somewhat interesting thanks to crazy dreams – the main one I remember being taking a pump-action shotgun to a whole crowd of bad guys all of whom were dressed as Heath Ledger’s Joker. Bottled up anger issues? Never!) has certainly helped as well. And the main thing has been the fact that… well, there’s a lot about my current life that I find difficult to get used to. I spend an awful lot of time on my own – and, to be honest, that’s mainly going to continue, as proofreading and writing novels are not ideal careers for meeting people. It especially doesn’t help that I am attempting to get over a major emotional hurdle, and sometimes time isn’t enough – it has occasionally felt, over the past few months, like I’m trapped in amber, like I can’t move on until something happens or I can progress out of what I’m still viewing as an ‘interim stage’. There’s a part of me that would be terribly happy for something like that to happen – if only because introspection can get so amazingly boring after a while. It’s very easy to find yourself going around and around the same subjects, reiterating the same conclusions. And I’m the kind of person who finds it very easy to think very badly of himself – or at least, who finds it easy to think that because I’ve gone from finding someone who wanted to marry me and stay with me for the rest of my life to being on my own in Manchester (not something I ever foresaw), that in some way I deserve it. That because I don’t have anyone in my life who cares for me in that way anymore, that I’m not meant to, and it’s very easy from there to feeling as if every aspect of my life alone is in some way reminding me of the fact that I don’t deserve to be with someone.

    And my walk in the sunshine this afternoon basically brought me to the conclusion that thinking like that is understandable, but is also complete nonsense and isn’t going to get me anywhere. There are things I need to do to get myself out of my shell – small but important steps to try and link myself up with the world more and remind myself that I’m not alone. But above everything else, I need to remember that this didn’t happen as a judgement on me as a person. It didn’t happen because I did something wrong. It just happenned. And just because I don’t have anyone in my life who cares for me that way, it doesn’t mean I don’t deserve it. I need to be nice to myself, and I need to look after myself. The rest will come, with time.

    I feel like I’m going to be alright. Amazing what a bit of sun can do, isn’t it?