In Pursuit of Happiness

I wrote an entry last week, but I didn’t post it. I was pretty down and upset when I wrote it… but I don’t want to delete it. Instead, it’s here behind a cut. I feel like I want to be honest about how I’m doing here, and the fact that since I finished the rewrite, I haven’t been doing brilliantly. There’s been illness and a few other moments – nothing hugely dramatic, to be honest. I am sometimes very much a ‘pressure cooker’ kind of person, and it’s like a baseline of emotional noise keeps building and building in my head until steam starts metaphorically exploding from my ears. Despite everything, the fact that my life is much simpler now does mean that I do find things easier to cope with. But there are times when you find yourself having dark moments, and it’s like being trapped in a cold, dark cave. And you know the only one who can get yourself out of that cave is you. You’re just not sure exactly how.

Anyhow, the entry which I didn’t want to delete runs thusly:

This blog entry was brought to you by the words ‘melancholy’ and ‘upset’. Normal service will be resumed shortly…

New Projects Ahoy…

One significant step is that I’ve got two new writing projects on the go. They’re both in the planning stages – there’s one in particular that needs a good deal more meat on the bones than there is at the moment – but they’re both ideas that are making interesting things spark in my brain. One of the things this last rewrite on The Hypernova Gambit has taught me is exactly how important character is – and I’m trying to approach these ideas from the right angle, to try and lay down strong character stories first and then construct a whole load of craziness around them. I still know what I want to do, I just feel like I have a slightly better idea of how to go about it now. I don’t want to pre-plan too much; the point will come pretty soon where I’ve got to just say “Screw it” and start writing. I’m also not sure which one I will prioritise first – one’s a loose spin-off from The Hypernova Gambit (completely self-contained though), and the other is a somewhat crazy mixture of emotional family drama and bugged-out psychedelic pulp storytelling. I’m actually tempted to try them both at once, bouncing from one to the other and see if one wins out naturally over the other. But either way… I know that this is what I need to do next.

I also had a quick look at The Hypernova Gambit again this morning. Maybe it’s not wise looking at a project once it’s out the door and being officially looked at by important people… but you know what? I’m really, really proud of it. Whatever happens from hereon in, I tried my damndest, I made some pretty significant changes (there’s only a handful of scenes that I haven’t tweaked in some way), and the book is now much, much better than it was in its previous ‘official’ incarnation. Frustratingly, of course, it won’t change anything with the editors who read the previous version of the book and turned it down (however much I’m filled with the desire to be able to leap up and down and shout “Look! It’s much better now, honest!”), but it gives me a much better chance with the remaining opportunities. Whatever is destined to happen, it’s taught me a hell of a lot about writing. And I’m not about to stop now…

Walkin’ On The Sky

It has been what could safely be described as an ‘odd’ week, mainly due to being flattenned by illness. It hit me last Saturday, but was also a combination of a whole series of factors, from feeling run-down after the rewrite, an oncoming cold, gradually getting dehydrated, overeating, and a couple of other elements I could have done without. The end result was that while I was out and about on Saturday (which was a pretty hot day, after all), I suddenly started feeling exceptionally weird, and my body essentially went slightly nuts for the next forty-eight hours. My appetite shut down, I was incredibly dehydrated, and I’ve been spending most of this week recovering – early on, I actually had a couple of productive days, but ended up feeling worse as a result of them, so instead I’ve spent the last couple of days essentially under house arrest. I’m getting a couple of hours of proofreading done a day, and that’s it – and I’m going to keep it that way until at least Sunday. There are two advantages – one, things have gone a little quiet on the work front (just a lull, it ain’t scarily quiet yet), and two, I’ve built up enough of a backlog of incoming money that I can actually afford to not do very much for a little while. It is tough being ill while on your own – and sleep has been one of my biggest problems, with my average wake-up time for this week being about 4AM – but I’m coping pretty well, overall, and not letting it get me down.

Would be nice if my body would hurry up and get back to normal, though…

On the subject of a possible change of (Internet) location…

I’m flirting with the idea of shifting this blog over to WordPress. Having had a look at the features on the site, it does seem to have a number of advantages over Livejournal (particularly as relates to customisation), and I can also shift all the entries I’ve got here over, so my random burblings for the last four years will still be easily available for those foolish enough to want to look for them. And I’m presuming I can probably set up an RSS feed to Livejournal to keep things going here. The decision is not yet made (and probably won’t be for a while): a good move, or a foolish endeavour?

Edit: Okay, I’ve just found out that WordPress also exists as blogger hosting software. Consider me confused. I guess, are there better possibilities out there? And is it kind of daft asking this sort of question when only the people who use Livejournal are going to read it?

Head hurting. Must go lie down…

TV EYE: Flashback – Classic Who Overload (Part 1)

There are certain bargains that I can ignore, and then there are the ones that I can’t. Wandering into budget music/DVD shop Fopp a few weeks back, I was flirting with the idea of maybe being naughty and picking myself up something on DVD – but then what I saw told me that yes, I was in trouble, because they had a fairly significant pile of classic Doctor Who DVDs, and virtually all of them were £3. Within minutes I had a frighteningly large pile of discs, and I did end up being strategic and not simply getting every single one that I didn’t have (I’m not a Who completist – there are stories are love, and there are stories I’ll be happy to never ever see again (Hello, Resurrection of the Daleks…), but I did end up emerging with a pile of ten new Who DVDs (one box set, and six seperate releases). Some of them were the chance to replace stories I previously had on VHS, while others gave me the chance to see stories I hadn’t seen for an absurdly long time, and there were even a couple that I’d never actually seen at all. And naturally, they set off lots of thoughts about storytelling, what the show means to me, and the constantly evolving relationship between classic Who and New Who. And as usual, fear the spoilers…

Planet of Evil, The Keeper of Traken, Logopolis, Castrovalva, Four to Doomsday

Another Green World

Plans never quite work out exactly how you want them to. Got up this morning intending to have a day out – and in that I succeeded – although my intention to get out of Manchester and get to Buxton didn’t go according to plan. Instead, I leapt on what I thought was the correct train, wasn’t told otherwise – and an hour later found myself waking up in Crewe. Not somewhere I wanted to be. And that was after having bought two new comics on the way to the station, and then succeeding in leaving them on a bench in the station, and only realising after the train was in motion. On top of everything else, there wasn’t really an easy way of linking where I was to where I wanted to be, so I had to go all the way back to Manchester and start again (although at the least, it was a fast train with only three stops). After a night’s sleep that felt more like having a fight than getting genuine rest, I was all ready to be messy and upset, and yet by the time I got to Buxton (3pm), I actually found myself in a pretty good mood, and discovering the Pavillion Gardens there was actually rather lovely. A big, sprawling set of parks, lots of Victorian (and older) buildings with some very impressive domes, and the sun even came out, making the whole thing feel restive in a way I really needed. I’ve wanted to get out of Manchester into the Peak District for a while – and hopefully today means I’ll have ironed out the bugs in the programming for next time’s journey. I didn’t used to notice the natural world quite as much as I do now, and I like being this way. I’m going to get out again, and I’m going to remind myself that however difficult and claustrophobic my life on my own may feel at times, there’s a bigger world that’s out there just waiting to be discovered.

And hopefully next time, I’ll at least try and read the comics before I lose them…

The Strangest Thing

News: the rewrite on my book is done. Which should in theory mean flags in the streets, a day of national celebration and a letter from the Queen, but what it actually means is a general sense of “Oh blimey, what the hell do I do now?” Combine this with my general habit of getting somewhat downcast once any major project is finished, and I could easily have gotten hopelessly miserable last night – but instead, I headed straight into town and watched Drag Me To Hell at the cinema. Had a fantastic time, although it’s a gleefully odd movie – it’s almost a fantastically well-crafted grim and doomy old-school horror movie in the vein of Night of the Demon, but with lots of Raimi’s patented cartoony ultraviolence and viscera sandwiched in. It’s easy to tell that he’s been missing this kind of thing – there are moments in the film that certainly get close to the demonic energy of Evil Dead 2, and the impression is that of a director letting his hair down and really having fun. The only trouble is that the cartoony stuff really doesn’t sit well with the rest of the story – it’d be rather like interrupting Evil Dead 2 every ten minutes to try and deal with Ash’s psychology or background. Evil Dead 2 works so well because it’s an unashamed cartoon, and here it’s bolted to a story of slow-burning menace and dread, meaning it’s a bit bizarre when we’re suddenly in the realm of bonkers Evil Dead-style seances and seeing how many horrible liquids can be thrown all over Alison Lohman. But it’s far more exciting and enjoyable than any of the bland PG-13 horrors that have come our way, and far more interesting than yet another exercise in Torture Porn.

This morning – well, this morning I discovered that while most Postmen may be fine upstanding fellows, there’s at least a couple who are bold-faced liars. Last week, I came home from a walk in the park to see a postman outside my front door, in the proces of doing something with a parcel. Now, I presumed he was filling out one of those “Sorry you weren’t in” cards, and rushed up to take possession of the parcel, which it turned out was for Anna. Thanks were said, and I went inside to find more envelopes waiting on the doormat – and a “Sorry you weren’t in” card with my name on it. There were some parcels I was expecting (although I wasn’t expecting them quite this quickly) so I immediately rushed along to the postman who was only a few doors away and asked about the relevant parcel – and he looked at me and said something along the lines of “Oh, that was for the one I gave you.” At this point, I figured “Oh – how annoying” and went back home. I’m very English, and it’s very easy when given an explanation like that to think “Well, I guess that explains it…” and it’s only until later that thoughts like “Yes, but why would he have written my name on it?” came to mind. It was odd, but I didn’t really figure anymore about it. Anyway, one of my parcels turned up the day after, and another one the day after that, so all appeared to be well. All that was left was the biggest parcel, the one from Amazon.co.uk.

By the time it got to Wednesday, I was thinking “Hmm…” because they can sometimes be late, but they don’t normally take this long. By the time it got to Friday I was thinking “Grrr…”, and my thoughts returned to that card. Thankfully, I’d been sensible and not thrown it away. The Sorting Office where parcel pick-ups happen is a good twenty-five minute walk from my house, and it’s often a place where you’re greeted with a truly terrifying queue, so it wasn’t something I was relishing, especially when there was every chance that it was just a mistake and that I’d go there and be greeted by a “Huh?” when I presented the card. Anyhow, as I’d gotten into the habit of waking up very early, the idea occurred that I could head along there early – especially as it’s open at 7AM. So, this morning I did that very thing, walking through the rainy streets of Manchester, figuring I was wasting my time, I got to the office… and moments later the parcel was in my hand. The bugger lied. I’ve encountered this once before – Postmen on our round do occasionally seem to like the idea of leaving the heavier parcels in the van and posting “Sorry you weren’t in” cards through the door without actually knocking first. I’m glad I got the package, and I didn’t need it urgently – but rather unhappy that it sat in an office for a whole week when it didn’t need to.

And now, having vented, I shall sit in a corner and read some more Jack Kirby comics. Hurrah!

Detonation Imminent…

Okay, the news is filtering around the Internet and sure to be causing various Whedon fan message boards to explode with rage, but there’s a new Buffy movie being developed by the people responsible for the original (not exactly exceptional) movie, and Joss Whedon currently isn’t involved. It’s not hugely surprising, especially with the current success of Twilight, that the people who own the rights of Buffy are thinking of doing this (Vampires? Romance? Action? Attractive teen leads? Ker-ching!) It’s apparently planned as a ‘relaunch’ or reboot, and while this does cause a certain rolling of the eyes at yet another example of Hollywood eating its own tail, it isn’t necessarily a bad idea in theory. Not saying it’s a “can’t miss” idea, either – in practice it will, to be honest, probably not turn out well – especially since one of the Exec producers is Roy Lee, a producer who’s been singlehandedly responsible for virtually all of the pale and unconvincing Asian Horror remakes that have clogged up screens for the last few years.

But to be brutally honest, Buffy always worked best when she was at high school. The show was at its strongest, and the metaphor was it its strongest, when she was a 16-17 year old struggling with adolescence and the travails of battling the undead. Not to say there wasn’t some great material after the end of Season 3, but it only rarely hit the heights of earlier episodes (especially my favourite run, the second half of S2) and did, frankly, turn into a bit too much of an extended soap opera at times (especially during S6). Added to which, while there may be a sense of “why can’t they get the original cast back”– they’re all in their thirties (or, as in James Marsters’ case, their forties), and I really think that the time for a big reunion episode has passed. (I actually watched an episode of Buffy for the first time in a while recently (S4’s ‘Something Blue’) and while there’s still some great moments and some great dialogue there, there was something about it that slightly set my teeth on edge – it’s possible that my time as a Buffy/Angel fan may have passed as well…). Dark Horse’s ‘Season Eight’ comic is actually doing a pretty entertaining job of continuing the story on a scale they’d never have managed on TV, and sometimes things reach their natural end.

So while I’d be surprised beyond words if a new Whedon-free Buffy movie was good, it’s not a complete impossibility. And I think that the central metaphor is strong enough to handle different interpretations. It might be interesting. It might not. But whoever does end up doing it would be wise to not ignore everything that the series did get right – and they’d also better be prepared for a rough ride from the fans…