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  • Return of the Living Blog (Slight Return)

    Hello there. It's been a while. How have you been?

    Life has been busy – full-throttle, nose-to-the-grindstone, no-time-for-blogging busy – to the extent that it's only at the Easter holiday that I've found the time to get my head straight and get some words down. And of course, the longer I stay away from the blog, the less it feels like it matters, and the more I wonder if anyone really pays any attention to the things that I post here (a familiar confidence-related refrain for writers). But, to be honest, I've let a lack of confidence get to me far too much over the past year or so, and it's time to officially say “Nuts to that.”

    So, here are some EXCITING updates full of AMAZING news that will TRANSFORM the way you see the world in SO MANY WAYS:

    (Disclaimer: Certain elements in the last statement may not be entirely true.)

    1: I'm almost at the end of the second semester of my MA Creative Writing course, and it's gone terrifyingly fast. I got my first mark back in early March, on my 'Portfolio piece' from Semester 1's fiction workshop, and I was two points away from getting a Distinction. Two. Points. Naturally, my brain immediately leapt to “Damn!” rather than “Holy crap, only two points away on your first go,” but I'm still proud of what I pulled off. Weirdly enough, thanks to the structure of the course, I'm not going to be doing any more course-related fiction writing until the beginning of 2015, but I'm going to be making up for things in the interim with plenty of exercises, tests and writing work, including continuing on for as long as possible with the reading group I've formed with a bunch of the students (many of whom aren't part-time, so will be vanishing off at some point during the summer, which will be very strange.

    2: I'm flirting with the idea of going on to do a PhD in Creative Writing after the MA, but it's a thorny and weird subject. Just trying to get my head around what a PhD in Creative Writing actually is, and how I would fit my skills and talents into one has taken a long time, and there's also the question of whether I can get anyone at Manchester to accept my application or get enough funding for it so I can afford to do it, and on top of that is the “Do I definitely want to do a PhD?” question. It'd help in a whole lot of ways, and give me a good chance of working in academia and doing teaching, but it would also take a very long time, and would conceivably shut down most of my attempts at a writing career for three years, unless I'm absurdly lucky enough to get full funding. I like the idea of the challenge of a PhD, and I'll be investigating the possibility further, but I'm not yet 100% convinced this is the right direction for me. 80-90% convinced at the moment, but I'll need to do a bit more thinking…

    3: Work is… work, pretty much. I've done more freelancing this semester than I did across the first, and while it's been tough at times, I've pretty much been able to hold it together. Proofreading isn't something I want to do forever, and the whole uncertainty inherent in freelancing occasionally makes me yearn for the comfort of an easy-to-quantify job with a guaranteed wage… but I know that route would drive me mad within six months. So, I'm slogging away, but I'll get there in the end.

    4: I wrote a short story. Let me repeat that: I WROTE A SHORT STORY. Admittedly, it's probably going to end up drifting towards a short novella – it's currently 6,000 words long and one of the main pieces of feedback I got from my tutor (SF novelist Geoff Ryman) is that I'm trying to fit a really complicated idea into too small a space. As a result, at some point soon I'm going to have a go at brainstorming an expanded version and just let it be as big as it wants. It's pretty dark and bleak stuff, but I'm interested to see where it takes me.

    5: After lots of debate and muddle (including lots of self-conscious worry about not being a 'serious' enough writer), I've decided that all my worries are ridiculous and I should concentrate on (a) finishing stuff, and (b) doing the stuff that I'm good at – action, fun, and extravagantly daft worldbuilding. There'll be plenty of time for me to try different directions once I get the two books currently occupying my head completely sorted (Bradley and Hoyle, a 'Strange London' romantic comedy adventure, and The Hypernova Gambit, a rewrite on my first unpublished novel, a crazy comic-strip SF Adventure). Until then, I'm going to do my best not to worry, learn heaps of stuff, and get some fun books out there. It isn't a race – there's always going to be writers faster than me and more succesful than me. I'm just going to concentrate on having as much fun as I can with writing, and everything else can wait – at least for now…

    6: I'm currently on holiday in Devon, which means that of course the heavens have opened and everything outside is damp and grey. Fingers crossed the weather will brighten up before we head back to Manchester on Friday, but it's lovely to be catching up with my family, whatever happens, as well as getting the chance to do a ridiculous amount of reading. When I get back, there'll be an essay on Contemporary Fiction to start, which is currently intimidating the hell out of me, but that's a few days away yet. Until then, I shall relax and enjoy myself…

    *

    There we go. The Full, Unexpurgated Truth of my life as it is right now. HOW CAN I POSSIBLY KEEP UP WITH ALL THESE THRILLS?

    More updates when they come in…

     

  • My Legendary Girlfriend

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    Five years ago, my marriage ended.

    As a result, at the start of 2010, I wasn’t in the best emotional state. I was coping to a degree, I’d rebuilt my life in Manchester, I’d acquired a new and wonderful bunch of friends, and was doing my best to pick myself up after my first novel had gone through a very long process of consideration by a publisher, only to finally be turned down. Trouble was, I was only just really starting to deal with what my marriage ending had done to me, I was confused and lost about a lot of things in my life at that stage, but ultimately, I knew I had to get used to being on my own. This was how life was, and I needed to be happy with that before I stood a chance of anything else happening (however unlikely that appeared to the darker sides of my consciousness).

    I had things to look forward to, though, and one of them was Eastercon 2010, which this time was taking place at the Raddison Edwardian in Heathrow – the same location the con had been in 2008, at my first Eastercon, when my life had been completely different. This time, however, I had the advantage that there were quite a few people I knew at the Con, thanks to the interesting strategy I’d utilised at Eastercon 2009 of getting up in front of a crowd of people and singing “Hungry Like the Wolf” by Duran Duran as part of a Rock Band competition. It had netted me some friends and acquaintances, and made the whole thing seem a little less scary.

    Fairly soon after arrival, I met a bunch of these new acquiantances – Kim and Del Lakin-Smith, Sam Moffat and Paul Skevington – and with them was someone I hadn’t met before, an interesting-looking and attractive girl with pink hair and one of the most aggressively sequinned hats I’d ever encountered. Her name was Emma Jane, we introduced each other, and she seemed like a nice person who’d be worth getting to know better.

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    We ended up talking a few times, and were fairly quickly having the kind of fun, rambling conversations that cons are designed for, and which tell you that yes, you’re very probably destined to get on with this person. I did find out fairly soon that she had a boyfriend, who she’d been with for ten years, which caused me to internally shake a brief fist at the sky, but I wasn’t going to let that stop me being friends with her. We were both writers as well, so there was no shortage of stuff for us to talk about.

    Friday night, there was a disco. I went wearing the loudest, most ridiculous shirt I own – it can only be described like an explosion in a playing card factory – and Emma was there was well, looking ridiculously sexy while wearing the kind of corset that can be filed under the heading “Immensely distracting”. I ended up dancing with her in that manner that one dances with girls who’ve got boyfriends, and enjoyed the experience immensely while also constantly thinking “She’s got a boyfriend, she’s got a boyfriend…”

    We kept bumping into each other. At the big showing of Doctor Who on Saturday night, which was Matt Smith’s first episode, ‘The Eleventh Hour’, I ended up a fair distance back from the screen with a spare seat next to me. And then I saw Emma up ahead looking for a seat, and thought “There’s no way this can possibly work out, someone else will get to this seat first…” but I waved, and got her attention, and she sat next to me for what turned out to be a hugely enjoyable hour that, at least for a while, reignited my fervent love of Who.

    There were plenty of other encounters over the remaining two days of the con – including a point where I drunkenly ended an evening by hugging her and telling her “Your boyfriend is a very lucky man,”, as well as on Monday morning, where she helped me out at a point when I’d managed to leave my bag (and my wallet) in Sam and Paul’s room but didn’t have a room number for them, and therefore couldn’t sort out the bill for my room which I was sharing with someone else, resulting in me rushing around in a total panic like a headless chicken. It all got sorted, and I got the chance to say goodbye to Emma, and was pretty sure this was going to be another case of a wonderfully attractive girl with a boyfriend who’d be forever leading me to wistful thoughts of “Ah, if only…”

    She immediately friended me on Facebook and Twitter, and there then followed a lot of friendly messaging, as well as plenty of comments on my many blog posts (most of which were Doctor Who-related). We saw each other again fairly soon – at the end of April, we were both at the awards ceremony for the Arthur C. Clarke Awards in London, and got to once again hang out, have fun, and dance together in a way that was definitely appropriate in every single way. Honest. Yes, I may have had plenty of points where I’d call up the pictures I’d taken of Emma at Eastercon, look at them and generally go “Goddammit, why do girls like this *always* have boyfriends?” but I was okay with things. Frankly, I needed all the friends I could get, and if I had a friend who was a deeply attractive girl, well, that was just a bonus, as well as being good practice for the time when I finally did meet an attractive girl who was also, quite definitely, single.

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    All was good and fine, and we already knew we’d be seeing each other at Alt Fiction, a literature event that was happening in Derby at the beginning of June. It was a few days before then – probably around a Tuesday or Wednesday – that I was undergoing one of my occasional bouts of melancholy sadness, which I of course dealt with in the most mature way possible by writing a whole load of self-pitying tweets along the lines of “WHY AM I SO ALONE IN THE UNIVERSE WAAAAHH!!” It was daft and silly, and things were nowhere near as bad as I thought they were, and I was in the process of just knuckling down and getting the hell on with it when I got a reply from Emma on Twitter, basically saying something along the lines of “You’re not alone in feeling like this. Details later…” I was wondering exactly what this was all about, when I got a couple of Direct Messages from her on Twitter, which told me that the reason she could sympathise with me was that her boyfriend of ten years – with whom she was living, and who she depended on due to health issues relating to the fact that she had a thyroid condition – had just decided that now was the right time to dump her.

    It’s understandable that not everyone reading this might believe me, but my reaction to this was in no way whatsoever one of “NOW IS MY CHANCE!” My reaction was actually one of instant sympathy and concern – I’d only known Emma a couple of months, but we were getting on, she seemed really nice, and also I’d been through a version of the emotional minefield she was about to end up going through herself. I knew something of how rough this was going to get, and I didn’t want her to have to go through it, but if she was going to go through it, I figured I could be the best help I could possibly be.

    I emailed her right away, saying how sorry I was, and I made a commitment that on Saturday, at Alt Fiction, my mission would be to look after her and make sure she had as good a time as possible. I’d also be the friend who she didn’t have to talk about stuff with – I remembered how exhausting it was, back when I was splitting up with my ex, having to go through the same rather emotionally gruelling conversation over and over again. So, I told her – she could talk to me about anything, but she didn’t *have* to talk to me about stuff. And that she was more than welcome to just hop on a train anytime to Manchester, and I would make sure she had a fun day out that’d take her mind off things. She was in a really vulnerable place, and I wasn’t going to do anything to take advantage of that – I was going to be a friend, and do my best to help her through this.

    When I saw first saw her that Saturday, at the Quad arts centre in Derby, she looked extremely shaky and delicate, like she might shatter if someone breathed on her too hard. I looked after her as best I could – I stuck with her, got her talking, at one point zoomed out to get her water, and did my best to be the ultimate back-up guy. By early afternoon, I could see she was doing better, and starting to have genuine fun, and I also remember accompanying her to the Tesco Metro, and then watching her down a small carton of cream that she’d bought on the way back. It was one of the ways at that point that she’d get energy into her system (before she realised that anything cows-milk related wasn’t good for her), and I just couldn’t believe that she’d actually done it. But we continued having fun, and at the end of the evening before I had to head off to the train, she gave me a hug, said thanks, and I really felt like I’d done a good job.

    We e-mailed and Skyped each other lots over the next couple of weeks. I shared details about the various trials and tribulations I’d gone through during my break-up, while she started to open up about how things hadn’t been going well with her ex for a long time, and how she was just going to have to sort out a plan for the future. We were helping each other out, and sharing lots, and going through this kind of common ground deepened the friendship that had already been going well, and we started messaging more frequently. I did kind of notice that I was replying to her e-mails really fast – often staying up late to write them, and then waiting with slightly baited breath for the reply, but I really wasn’t being anything other than a friend. Honestly, I knew it was going to be a long hard road for her, and I wasn’t going to think about anything other than helping her get through the next few months. She was going to need to get herself sorted out and on her feet, and frankly by then, she’d probably either not be wanting a relationship, or we’d be such good friends that actually doing anything to ‘further’ the friendship would just feel weird.

    And then, the flirting started.

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    It was really quiet at first, and sort of ended up like a War of Attrition – I saw something in one of her e-mails, and thought… well, that does seem like it’s a little bit of a flirt. But it probably isn’t. Getting carried away by that kind of thing wouldn’t be appropriate. But then, I’ve never been one to *not* respond to a flirt – so, in my next e-mail, I very carefully flirted back, in the manner of someone very gingerly dipping a toe in a hot pool of water, ready to yank it back the moment the temperature gets too much.

    The temperature didn’t get too much. The flirting continued.

    And then, one thing led to another, and about three weeks later, Emma was coming over to Manchester for a visit. Result? I was nervous as hell. This all felt like it was going very fast, and seemed utterly unbelievable, for the simple reason that this had never happened to me before. The one long term relationship I’d had before had started in a very, very different manner (I fell into bed with a girl I barely knew at a party, while dressed as a member of Kraftwerk). The whole “meet a girl you find attractive, get to know her, and then go on a date” thing had never, ever worked out for me – I’d seemingly specialised in finding attractive girls who were often good friends, but were never attracted back. It was just the way the world worked, and being in a situation where a girl I’d been genuinely attracted to for months and had been *certain* nothing would ever happen with was suddenly coming to Manchester for a visit… well, it was more than my brain could cope with.

    I can still remember waiting for her on the train platform, that slight nervousness, that sense that we were about to go from ‘Friends’ to ‘A definite step beyond Friends’, along with a fear that maybe we wouldn’t be able to carry on the relationship we’d formed mainly over e-mail, Twitter and Skype. Maybe it wouldn’t be the same in person. I didn’t want anything to go wrong, or to feel the wrong things when I saw her – after all, I’d only actually seen her in person twice since meeting her in Eastercon. And then, among all the crowd disembarking from the Sheffield train, I saw her, walking carefully along wearing a gorgeous black tea-dress, looking nervous as hell but smiling that wonderful smile she had, and I felt like it was going to be alright. We hugged, and her first words after hello were “I need a coffee”, so I took her along to the nearest Cafe Nero, got her a coffee, and then hit the interesting problem that Emma was so nervous that she was barely talking. I coped with this my usual way, by talking nine-to-the-dozen, filling the silence and hoping to God that she wasn’t regretting coming all this way to listen to me blithering like a lunatic. Directly afterwards, I had the sensible idea of taking her to Afflecks, a crazy independant store in Manchester’s Northern Quarter that’s basically as if someone took the entirety of Camden Market in London and squashed it into one building. It’s packed full of crazy fashions, and it proved to be an effective icebreaker, giving Emma a chance to enjoy herself without having to talk too much, and things were a lot easier for the rest of the day.

    That was also the day of our first kiss. All I knew was that I really needed to kiss her, and no matter how nervous I was about the idea of doing it, if the chance arose, I was going to take it. I was finding out that while I can be a bag of neuroses and jittery terror, there are also points where I’m prepared to be surprisingly daring. Anyway, we kissed, and it didn’t go hideously wrong. We ended the day back at the train station, and while we didn’t know exactly where this was going, I think we both knew that this hadn’t been a mistake, and that we wanted this to carry on. It was difficult for Emma, because it was so quick – she was still living in the same house as her ex, and would be for the next couple of months, and there was a brief point that evening, when we talked via e-mail, and I realised I might have come on a bit too strong, and I basically made it clear that I hadn’t meant to, and whichever speed she wanted to go at was fine by me. I liked this, I didn’t want it to go anywhere, but I was prepared to wait. What mattered was that she was comfortable with the situation – any raging hormones inside my own brain could damn well wait for a while.

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    This is also the point where this telling is going to get less detailed, because one thing I have learned is that relationships gain their own momentum, and that things are sometimes going to happen whether it’s completely appropriate or what everybody thinks of as the ‘right time’. Emma still had plenty of emotional baggage and problems to get through, and I was still nervous about doing the right thing, but we were also pretty much head over heels for each other by that time, and there’s only so long that kind of thing can be held in check. It was around the middle of August when we ‘came out’ officially as a couple, and by then Emma had made plenty of trips over to Manchester, and things were suddenly getting serious and wonderful, and in September I abruptly found myself accompanying Emma to a wedding where I met her family, and one of my overriding memories of that time is simply not being able to believe that this was happening.

    I’d gone through eighteen months of being alone, trying to cope with everything my marriage break-up had done to me – and it’s a special kind of emotional pain when you get up in front of the world to say “This is the person I want to spend the rest of my life”, and then four years later have to get up again and say “Sorry, looks like it isn’t going to work out after all.” It leaves you broken in a whole lot of ways, and considering my confidence in myself had never exactly been huge before I’d undergone a marriage break-up, things were not exactly healthy in my head, and the idea of getting to a point where anything could happen with someone new seemed so… unlikely. Going from that to a situation where I was suddenly in a relationship with a smart, sexy, incredibly cute girl with multi-coloured hair and a liking for vintage fashions and Cath Kidston gear, and who seemed to pretty much think I was fantastic – well, it felt like I’d toppled into an alternate universe, as if the laws of nature itself had gone IN-SANE.

    I still had plenty of fragile areas in my brain. I was permanently ready for this all to fall apart – I knew I had to be careful, simply because I hadn’t been ready last time, and that had been one of the scariest aspects of the break-up, that I simply hadn’t known what to do for a while. I had insecurities, and Em had plenty of emotional problems of her own, but we stuck together. She moved into her own flat at the end of September, and soon I was visiting her in Sheffield as much as she’d been visiting me in Manchester, and we started talking about the idea of maybe finding somewhere to live together in Manchester once her first six months in the flat were up and she was onto a rolling contract, and while part of me was scared by the idea – my previous experience of living with only one other person hadn’t exactly ended well – the other part of me couldn’t help but think “Well, there doesn’t exactly seem to be a reason *not* to, does there?”

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    Winding forward into 2011, and finding a place wasn’t easy. Once we found a flat, in Whalley Range, just a short distance from where I’d been living, every stage of the process seemed to be fraught with difficulty. On the day we moved in, an altercation with a neighbour due to parking our van in the wrong place ended up with me having to call the police, although it thankfully settled down before anything else dreadful happened, and we just had to settle for being jangling bags of nervous tension for the next few weeks. And then, later in 2011, just as Emma was finally in a position to start working on her freelance programming projects and get her income up, she started having a very bad reaction to her thyroid medication which set off a sequence of symptoms and problems that went on for almost an entire year, and incapacitated her for a very long time.

    There were some tough times. 2012 wasn’t an easy year for either of us. Things went wrong, life was hard, and there were a handful of points where I started getting scared that maybe fate was trying to send me a message that this wasn’t supposed to work out. I didn’t want history to start repeating itself, and I didn’t want to end up feeling like “This shouldn’t be *quite* this much work,” the way I had done back during much of my marriage. There were plenty of happy times as well, but it’s easy sometimes to convinces yourself that things aren’t going to get better.

    And then, much to my surprise, things got better.

    Emma’s health mostly cleared up. Her earnings picked up. I helped out by assisting with the writing of an especially bonkers Superhero Name Generator. She helped me out by nudging me towards looking into the possibility of doing an MA in Creative Writing, and I then stunned the hell out of myself by actually getting a place on the course. We’ve had a 2013 that may not have been a spectacular improvement, but where things definitely got better, and we both set ourselves targets for the future. Despite any ups and downs during late 2011 and early 2012, I simply can’t imagine my life without her. The fact that I found her, that everything happened the way it did, that I was lucky enough to find someone who’d put up with me, support me and tell me when I’m being hopeless – it’s something I regularly find amazing beyond words.

    There were points where I didn’t understand why the bad stuff had to happen to me – why I had to end up in a situation where I had to reboot my life, why I had to go through a lengthy relationship and struggle beyond all limits to make it work, only to discover that if a relationship is that much of a struggle maybe it isn’t really working. But if that’s what I had to go through to get here, then suddenly it makes sense. It was a learning curve. Because no matter how much things went wrong in my last relationship, part of it was simply because I wasn’t ready to be married, I wasn’t mature enough to be able to handle it right. I had to go through all that, and make mistakes, so that when I got this particular chance, I’d be able to get it right. I’d be able to fall head over heels for someone, and know that they love me as much as I love them, and that we function as a team, and support each other, and help each other through the bad times.

    There will be ups and downs. There will be good times, and bad. I’m okay with that. But the last three years has changed me in countless ways, and there isn’t a day goes by that I’m not thankful beyond words that my path crossed with that pink-haired girl in the sequinned hat, and that I said hello to her, and got to know her, and tried my best to be a good friend.

    It’s been easy at times to think that I’m the kind of person who doesn’t deserve good things to happen to them. It’s been easy to think that fate has it in for me, and that I’m not destined to be happy.

    But I met Emma Jane, and I fell in love with her, and as long as I’m with her, my life feels like it makes sense. I may not be a published novelist, I may not be where I want to be professionally, but I’m with her, and I’m happy, and we’re already building a life together, and I want to carry on doing that for as long as we can, and have as much fun as we can, and make Emma as happy as I can manage.

    Sometimes, good things really do happen.

    em and sax

  • Fifty Years of Who: Random Thoughts on Doctor Who’s 50th Anniversary

    Doctor Who Day of the Doctor Matt Smith David Tennant John Hurt

    One of the downsides of being so busy is that I haven’t been able to blog about Who’s 50th Anniversary at all. And now that I’ve got the time, it’s over a week later, and it all feels in the past now. So here’s just a chance to put down, in quick style, my thoughts:

    In short, I’m happy. My love of Who has been through a very rough patch recently – this year’s clump of episodes was the weakest since the show’s return (I don’t even want to consider the trifecta of disappointment that was Journey to the Centre of the TARDIS, The Crimson Horror and Nightmare in Silver), and Moffat’s approach to the series has a whole selection of problems that I feel may be a bit more entrenched and a larger issue than some of RTD’s flaws. However, The Day of the Doctor turned out to be overall great fun – it suffered from many of Moffat’s excesses, Clara is still a 2-D character mostly consisting of perkiness, and the plot frequently felt like it was in danger of falling to bits, and yet it never quite did. It managed to do something genuinely emotional with the multi-Doctor story rather than the understandable coolness of “Hey, wouldn’t it be great to get all the Doctors in a room together?”, and also managed to move the story on in a way that’s probably what the show needs right now. For better or worse, Who is able to keep going because it keeps changing. Sometimes that change is good, sometimes it isn’t, but The Day of the Doctor was a rambunctious bit of fun that mostly captured the best aspects of New Who, while summing up what makes Doctor Who truly unique.

    There were also unexpected surprises – like the mini-episode The Night of the Doctor, with the unprecedented sight of Paul McGann returning to the role of the Eight Doctor on TV, and finally getting a regeneration scene (along with an awesome level of continuity references). There was also The Five-ish Doctors (Reboot), a wonderful half-hour slice of in-joke and comedy featuring Peter Davison, Colin Baker and Sylvester McCoy, and which played like a cross between Galaxy Quest and Curb Your Enthusiasm. A little rough around the edges at times, but hilariously funny and weirdly touching at the same time.

    However, for me, it didn’t matter that much how The Day of the Doctor turned out, because my 50th Anniversary needs had already been satisfied by the beautiful dramatisation of Who’s early years, An Adventure in Time and Space. I was misty-eyed within minutes (just the sight of David Bradley’s Hartnell staring with despair at the nearby Police Box was enough for me), and the whole thing was executed with a wonderful amount of style. There were occasional weaknesses early on – especially Brian Cox’s take on Sydney Newman, which felt a little *too* much like the classic cigar-chomping American – and some elements of the story just had to be folded together, or enhanced for dramatic purposes (the recording of the pilot episode was extremely rough, but it wasn’t that much of a disaster). But I can barely voice how wonderfully weird it is to see a story that I’ve known about for most of my life, which I first read about in articles in Doctor Who Weekly and books like Doctor Who: A Celebration, turned into an actual drama, and I was amazed at the way they managed to make it both a testament to the risk-taking that made Who possible, and a portrait of the tragic side of Who’s biggest strength – its capacity for change. From the farewell between Hartnell and Verity Lambert, pitched as a traditional Doctor/Companion farewell scene, to David Bradley being simply phenomenal as Hartnell finally comes to terms with what he’s losing, it was a stunning bit of drama, and the best tribute to the strange wonder of Who that they could possibly have managed.

    And if you need me, I’ll be over in the corner, still trying not to think about how the 50th anniversary of Who means that the 20th Anniversary – which I can still remember – was thirty damn years ago… (*weeps for lost youth*)

    Doctor Who Adventure In Space And Time David Bradley William Hartnell

  • The Obligatory (and Rather Belated) Thought Bubble 2013 Post

    Thought Bubble was the weekend-bef0re-last – the Leeds Comic Convention that’s ended up a fixture in my yearly schedule – and this year certainly did nothing to make me change my mind about that. It’s the first time me and my girlfriend Emma actually did it as a proper weekend, going up on the Friday night (as the event itself is Saturday–Sunday), and I’m very glad we did, as it made life an awful lot easier. Comic Conventions are always a very different vibe to SF literary conventions, and this year was just as friendly, diverse and colourful as ever, with a large number of cosplayers, and a whole variety of comic folk, from small-scale indies to big-level Marvel/DC folk.

    It was a great time, but I’ve got the worrying feeling that I didn’t quite make the most of it. It’s probably the curse of huge expectations – I’ve basically been looking forward to this since last year – and of peaking way too early, thanks to the first thing I did on Saturday being queueing for a while to get sketches from artists Fabio Moon and Gabriel Ba – but the con did feel a little broader and less easy to take in this time. The three halls were huge, and packed full of stuff, which made it easy to miss things, and also I ended up frequently caught between considering whether or not I wanted to queue for other artists and potentially get sketches (the first year I’ve tried to do this seriously), or if I wanted to do other stuff like visit panels, just browse, or – rather more importantly – eat.

    I’ve ended up feeling as if there’s an awful lot I missed. I did catch the writer’s panel on Sunday, with people like Matt Fraction, Kelly Sue DeConnick and Brandon Graham talking wonderful sense about the writing life, and it’s once again left me feeling like I need to get off my arse and try to actually fit some comics writing into my already busy-as-hell life. That was the only panel I properly caught, unfortunately (which wasn’t helped by the awesomely user-unfriendly programme, which was a tabloid-sized newsprint-style magazine, and laid out in a way that made the programme hard to unravel), but while there may have been a bit of directionless drifting at times, I also took in some excellent comics, and got to catch up with a whole variety of friends as well.

    It also didn’t help that the mid-con party, which last year was awesome, was this year somewhat marred by an organisational snafu that led to us having to queue for almost forty-five minutes in the freezing Leeds cold, thanks to them not having enough bouncers to cover the venue’s capacity. (We kept being told “the venue’s full” by certain people – only to find there was plenty of room once we got in). Thankfully, I’d brought wine with me that helped keep me warm (and slightly mitigated the fact that I wasn’t in any way dressed for cold weather, having not expected to queue at all), and we did end up having a brilliant time on the dancefloor once we got inside, but things didn’t always feel quite so smooth and effortlessly fun as they did last year, which was a small shame.

    However, there were still plenty of highlights – like getting more comics from John Allison, the artist behind fabulous webcomic Bad Machinery, and getting to have a chat with artist Cameron Stewart while he signed and sketched in my copy of his fantastically creepy comic Sin Titulo. I also, in a moment of pure what-the-hell managed to get ace designer and artist Rian Hughes to sign a copy of his gorgeous art book Soho Dives, Soho Divas. And, on Sunday, after having given up on the plan of getting anything else major signed, especially by Brandon Graham, an independent artist who writes the bonkers SF saga Prophet, me and Emma had said our goodbyes and we were literally about to leave – I was in the entrance foyer to the main hall, waiting for Em – when I actually ran into Brandon Graham. Again, in one of those moments of mad impulsiveness, I grabbed the chance to just say “Hello, just wanted to say that I really love your work”, and he actually ended up doing a sketch for me there and then, which also gave me the chance to briefly geek out with him over the pleasures of mid-1970s Doctor Who (a big influence on Prophet) and Blake’s 7. The sketch was awesome, and the whole encounter left me in a complete daze for the rest of the evening – and while there may have been a few ups and downs for my personal Thought Bubble experience, overall it’s just made me even more determined to make sure I don’t miss out on stuff next year….

    (I would have included some pictures, but I seem to specialise in taking the least interesting con photos ever. My iPhone 3GS has the magical capability of taking an environment packed with colour and fun, and turning it into nondescript shots of people milling around lots of tables. Next time, I shall do better…)

  • The Casanova Project: Adventures in Book Design

    The minute I found out that custom book binding was a thing that actually existed, and that people were using it to create their own hardback collection of comic books, my first thought was: Uh-Oh. Because right then, I knew I was in trouble.

    I’ve been a design geek for ages. I spent a big chunk of the 2000s doing CD mix discs as presents for friends and family – doing them incredibly lavishly, so that they weren’t just random mixes, they were themed experiences that had been tracklisted and mixed together to a boggling degree. (You can see some of my previous work over at my design Tumblr, Discs of Fury). The potential of taking some of the comics that I’d been collecting and turning them into a uniquely designed book that I could design how I liked, of maybe even adding a small section of extras at the back… well, it blew my mind. It gave me lots of ideas, and one of them was doing a collected edition of Casanova – the mind-melting comic book by Matt Fraction, Gabriel Ba and Fabio Moon. It’s a saga of multi-dimensional espionage and action that’s massively influenced by 1960s cult movies like Danger: Diabolik, and is also one of the most out-there and experimental comic books I’ve ever read. It’s stuck with me a lot over the last few years, and I liked the idea of giving it the lavish edition it deserved. It’s always a bit vexxing when a comic I love gets a half-hearted presentation, or is given a nice presentation but other, lesser comics get something an awful lot better. This was the chance to redress the balance, with something deserving.

    And of course, because this is me we’re talking about here, it all got a little out of hand.

    Casanova Custom Bound Edition Matt Fraction Gabriel Ba Fabio Moon - Front Cover

    Casanova Custom Bound Edition Matt Fraction Gabriel Ba Fabio Moon - Spine Casanova Custom Bound Edition Matt Fraction Gabriel Ba Fabio Moon - Back Cover

     

    This is what I ended up with, and it’s a bit of a monster. 12 issues, in all. An 8-page intro section. 4 page dividers between the first and second miniseries, and between the second and third. And then, at the back, 160 pages of extras (totalling the 60 pages of extras that appeared in the first two-colour run of Casanova back in 2006-2008, along with interviews with Matt Fraction, a script, and 30 pages of art by Gabriel Ba and Fabio Moon). All of which I designed myself, and tried to get looking as nice as possible.

    (A note for anyone who’s thought “Hmm- looks like the graphics on the cover are a bit stretched” – you’re right. The bookbinders made a bit of an error with that, one they are hopefully (fingers crossed) going to be fixing very soon.)

    I spent a huge amount of effort on this. I’m a perfectionist when it comes to design, and tried multiple versions of the cover before finally getting it right. The back cover took me almost as long, and while a few mistakes were made, a lot was learned, and I know a hell of a lot more about printing and book design than I ever did before.

    One of the main reasons I did this was because Fraction, Ba and Moon were all going to be at the Thought Bubble comic con in Leeds that I was going to, which gave me a deadline and also resulted in me pulling out all the stops to make it as impressive as I could. The end result was being able to get it signed by Matt Fraction, and getting a bit overwhelmed with how amazed he was by it (I often get reduced to slightly embarrassed grinning and thinking “Don’t say anything stupid!” in these situations), and I also was able to get both artists to do quick sketches in the front and back of the book, which basically left me in a state of complete fanboy shock.

    Casanova Custom Bound Edition Matt Fraction Gabriel Ba Fabio Moon - Sketch by Gabriel Ba

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    I’ll definitely be doing this again. Despite some things not going according to plan, there’s nothing like having an idea and then being able to turn it into a physical thing you can hold in your hands – a unique object that isn’t quite like any other graphic novel or comic collection out there. I might just go a little easier on the extra material next time…

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  • A Quick Word About Writing and Back-Up Plans…

    Okay – this’ll be a quick one. And I may be doing a few things like this over the next few months (depending on time), even though I always have an innate distrust of writing advice on the Internet. But, I figure I’ve built up some experience over the years, there’s a few things I know – and I might as well try and pay some of this forward.

    This came out of a few encounters I had at World Fantasy Con, that coalesced some thoughts I’ve had for a while. I may have tweeted about this before, but blog posts are a tad more permanent.

    So – a quick bit of advice for Newbie Writers who are taking steps towards trying to get an Agent/Publisher. If you’re going the self-published route, more power to you – this is for people who are targeting traditional publishing. And it’s a pretty simple bit of advice:

    Always have a back-up plan.

    Seriously. That magnum opus you’ve been working on for years? The one that you’ve rewritten countless times, that you’ve sweated blood over, that you know could be massive if someone could just take a chance on it, the first volume in a gigantic series that will redefine fantasy/SF/horror/whatever… it could genuinely be as good as you think it is. But that doesn’t mean it’ll sell, or that an editor will say yes, or that it’ll get you an agent. The publishing world is weird and unpredictable in a whole lot of ways, it’s a huge number of people competing for a comparatively tiny number of publishing slots, and sometimes it can be down to timing. It can be down to taste. It can be down to “This is great, but I’m afraid we already have something like this on our list.” It can sometimes take years of waiting to get a decision on a book, and trust me, it’s not the best idea to spend that time either impatiently drumming your fingers or slaving away on book 2 of a series when you don’t know if book 1 is going to sell.

    Publishing is a business. Yes, art and beauty and passion are strong parts of it, but it’s also a business. What agents and editors are looking for are collaborators – professional people who can be worked with. They’re not in the business of shepherding special delicate snowflakes on their way to their ultimate destiny – they want authors who can conceivably build a career, who’ll be able to produce time and again on a regular basis, who won’t flame out once they have delivered the one towering masterwork they’ve been slaving away on for the past ten years. And one of the best ways you can show that you’re the kind of person who can adapt, who’s thinking about the future and approaching publishing with the right mixture of passion and pragmatism, is by having an answer to the question: “So, what else are you working on?”

    It doesn’t have to be brilliant. It doesn’t have to be mind-blowing. Just a loose, sketchy idea, a possibility for where you could go next, some unexplored territory you wouldn’t mind exploring once you’ve fully defeated the story-monster that’s currently clogging up your head. Have it there, waiting in the wings as a back-up plan, as something to work on when your current project goes out to agents or editors. You might not need it – you might be an instant smash-hit, all your dreams suddenly coming true. But, if things don’t go according to plan, and your big magnum opus ends up on the rocks, you might be grateful for having squirrelled away a few ideas on alternative directions.

    Back-up plans. They’re a good idea. Trust me…

  • That Was The WFC That Was… (Belated Thoughts on World Fantasy Con 2013)

    So, last weekend, a hefty chunk of SF/Fantasy publishing and fandom all descended upon Brighton for World Fantasy Con. It was big, it went on for five days, and it was the first con that my girlfriend and I had been to for eighteen months, which meant we were a little bit more tentative about it than you might expect.

    The reasons? Well, 2012 was not an altogether good year for either of us, in a whole selection of ways, and it should tell you a lot that having a book turned down by a publisher was actually one of the easier problems I had to tackle. Personally and professionally, 2012 was a rough time, and various things happened that made me feel like the best thing to do was just retreat to the shadows, keep out of trouble, and keep my head down. World Fantasy Con struck me as a good time to return to the fold – originally I’d made enthusiastic plans (“I will have THREE NOVELS REWRITTEN and out being looked at by publishers by the time WFC arrives!”) that then became slightly less enthusiastic (“I will have TWO NOVELS REWRITTEN and out being looked at by publishers by the time WFC arrives!”) and then ultimately became realistic (“It’s okay if I actually don’t have any novels completely finished and ‘out there’ by the time WFC arrives.”)

    Cons can end up slightly strange experiences when you’re not only part of fandom, and not only trying to get yourself ‘properly’ published, but also earning most of your money from working in SF/Fantasy-related publishing. I was nervous about dipping my toe back into these waters – when you’re insecure, it’s easy to get edgy about things, especially places like cons which can sometimes feel simultaneously welcoming and like the most clique-driven places you’ll find outside of an average American high school.

    It didn’t help that WFC 2013 also managed a wide range of some of the worst con-related PR decisions I’ve seen, from accessibility problems, to absurdly punitive charges like the £75 charge for anyone who needed a replacement membership badge, and the £5 charges for the meeting-with-authors Kaffeeklatsch events (which, according to a Facebook post on the WFC group that mysteriously vanished a day later, were supposedly refunded after the con to those who had turned up – and if I’d known that, I might actually have gone to a couple of those events and not refused on principle). The general air of the pre-con publicity and statements were weirdly confrontational and didn’t give the impression that this was going to be anything other than an exceptionally weird and stressful time.

    As it turns out, I needn’t have worried. World Fantasy Con may not have been an awe-inspiring experience that changed my life, and I did have a couple of emotional wobbles across the weekend (for reasons which are, to be honest, way too complicated and involved to go into), but it was a very enjoyable con which gave me the most important things about cons – new people to meet. It’s people who make cons (I should know this – I met the woman I’m currently head over heels in love with at a con), and the nicest thing about this con was not only being able to meet people I’d only previously encountered on Twitter, but also meeting people I hadn’t expected, sometimes in wonderfully surreal and drunken late-night encounters that’ll live with me for quite a while.

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    Brighton itself was fascinating – a genuine old-school Victorian beach resort with plenty of faded decadence that was aided by a level of blustery wind along the seafront that nearly flattened me on several occasions. We ate out plenty, mainly in JB’s Diner, an American-style restaurant along the seafront that did an impressive burger, and also found some time to explore the bizarre and head-spinning pleasures of Brighton Pier, although we missed out on seeing the oddball magnificence of Brighton Pavillions simply from lack of time.

    The WFC Comics Panel, including Joe Hill and Neil Gaiman...

    The WFC Comics Panel, including Joe Hill and Neil Gaiman…

    The con itself was huge, taking place across a bewildering number of levels on a layout that took a lot of getting used to, and as is traditional with cons, any aim at seeing the maximum number of panels soon flew out of the window in favour of a more improvisational approach. The panels I did see were, on the whole, very good indeed – interviews with writers like Neil Gaiman, Terry Pratchett and Joe Hill, along with a talk about comics that did manage to go to some places that SF/Fantasy con panels don’t normally go. (I could start on about the general negative approach to comics from the World Fantasy ‘Board’, who govern what WFCs can do – that it would be easily possible to do a series of panels that would concentrate on the literary side of fantasy comics – but the fact that a Sandman issue won the World Fantasy Award best story in 1992 seems to have permanently scarred them, so that seems to be that…). The most interesting panel I managed was actually the Steampunk panel, which managed to be different from the usual run-of-the-mill con Steampunk panel by having Tim Powers, James Blaylock and K.W. Jeter, the three men who actually invented Steampunk, where I found out that the Steampunk subgenre was actually kicked off thanks to an abortive series about reincarnations of King Arthur that fell through, leaving K.W. Jeter with a load of material about Victorian London and nothing to do with it…

    There were also the parties. A cunning person could surf on free red wine from one publishing party to another, and there was lots of entertaining talk to be had. I met an awful lot of new people at the con – people I’ll hopefully be able to keep in touch with over Twitter – and some of the most fun moments were the least expected. Among many highlights, there was hanging out in the bar the first night with Charles Stross, the impromptu conversation about travelling across America I had with Kaaron Warren, winning a book thanks to my unexpected skill with a fairground crossbow, hearing an eye-opening late-night story from the splendid Max Edwards, as well as the encounter that myself, my girlfriend Emma and another friend had with a drunken Irish woman that was hilariously surreal simply thanks to the fact that it didn’t feel like it was ever going to end.

    Nicest of all, I got to the end of the con and felt like I could actually let go of some of the stuff that had been bothering me for a while. One of the reasons I’d been troubled by the idea of cons is simply that they’re regular reminders that I’m not where I want to be, in terms of my writing, and that plenty of people are speeding ahead of me while I look like I’ve been standing still. I got an agent back in 2008, and it was in no way part of my ‘plan’ to be still trying to get myself published over five years later. But sometimes, things don’t go according to plan, and you can rail against that and complain and bitch and moan, or you can simply pick yourself up, continue onwards, and fail better. I haven’t always been good at doing that – letting go of the past – but thanks to WFC 2013, I felt like that goal was a little more achievable, like a little of the mess inside my head had been resolved.

    I’m very good at feeling like I don’t quite fit in, even at places that are almost entirely populated by people who don’t feel like they quite fit in, but WFC 2013 was overall a good time for me. I know it wasn’t ideal for everyone – I certainly heard enough about organisational and communications snafus to make me thankful I wasn’t one of the amazing hard-working red-jacketed volunteers, several of which were good friends – but I came through it feeling better about myself, having had plenty of fun, and with a suitcase of new books, most of which I was able to pick up for free. And that can’t in any way be bad… I doubt that I’ll be making it to another WFC anytime soon, as the fact that it’s normally held in various areas of America basically makes it a no-go for now, but I’m glad I went, and I’ll do it again if I do get the chance.

    (There’d only be one request if I ever go to another WFC – chairs. For the love of God, chairs. I realise it was principally a result of the hotel, but the only ‘lounge’ area for a con with upwards of 1500 people was a fairly small bar with limited seating. Many of the publishing parties took place in huge rooms with hardly any seating available, and by the fourth and fifth days, we were hi-jacking chairs wherever we could find them or sitting on the floor. A decently-sized chill-out area would have made a massive difference to the comfort level – and hopefully that’s something next year’s London-based Worldcon will be bearing in mind…)

    Of course, in two weeks time, there’s the Leeds-based comic convention Thought Bubble, which I’m absurdly excited by, and which is likely to be a very different experience. I’ve been regularly impressed by Thought Bubble’s ability to evolve and grow as it’s become more popular, and it’s the friendly atmosphere – combined with this year’s awesome guest list – that has me looking forward to this with a giddy amount of enthusiasm…

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  • New Lands

    Always, if you can, start with a song.

    Welcome to saxonbullock.com, version 2.0. Well, technically it’s probably closer to version 2.8 considering how many attempts it’s taken to get this redesign up, for a whole lot of varied reasons (plus, there’s still some polishing and sorting out that needs to happen in certain areas), but this is the new site – shiny, colourful, and full of exciting things (with more to be added on a regular basis). I’m going to be trying to blog a little more regularly now that the site actually looks the way I want it to, as well as doing some regular looks back at some articles and reviews from my illustrious-if-accidental career as a film journalist.

    Of course, there is the fact that November is in danger of being a month of being insanely busy – in a couple of days, Emma and I are off to World Fantasy Con in Brighton, which will involve hanging out in a hotel, getting absurdly drunk and talking lots with various members of SF and Fantasy fandom and publishing. I’m feeling a little reticent about it, thanks to this being the first SF con I’ve been to for eighteen months since various events in 2012 gave my confidence a right kicking. Despite WFC apparently going out of its way to appear terribly serious and ridiculously unwelcoming (there’ve been various storms – most recently, the announcement that if you lose your con badge, it’ll cost you £75 to get a replacement (and if it happens again, you have to pay your registration again)), there’s going to be a wide variety of interesting people there, and I’m pretty sure I’ll have a healthy amount of fun.

    And two and a bit weeks after that, there’s the Thought Bubble Comic Convention in Leeds, which has such an insane bounty of cool guests attending that I’m likely to spend most of the con in a state of bug-eyed wonder. Last year’s con was splendid – if this year’s gets close, it’ll be extravagantly good.

    Inbetween this, I have a ton of work to do for my course, which so far is progressing in a fascinating if damn intense way. I have even, much to my shock, written a short story – and the crit/workshop session that gave me feedback on it has resulted in me going in a really interesting (if much darker) direction for the rewrite. University is continuing to be a wonderfully odd but hugely rewarding experience, and I genuinely feel like I’m learning stuff, and my writing already feels like it’s getting better.

    I could tell you more – about the writing group I’m now part of, about my mad adventures in Star Wars roleplay games, and my attempt to somehow get my head around the idea of maybe doing a Creative Writing PhD at some point in the not-too-distant future. But right now, I’m just going to relax, and go with it. There’s lots to do in the next couple of days – but my website looks good, life is treating me well, and I’m sure I’ll have the chance to get everything sorted. Time to get myself in the rocket, strap myself in, and hit the button marked “Blast Off”….

    Saturn 5 Launch

  • Fragments of Time (Creative Writing MA: Week One)

    I don’t remember students being quite so young. Yes, I was that young once, but it’s still rather hard to believe. If you’re in your latter thirties and want to feel disorientatingly old, sign yourself up back to University and watch your brain turn somersaults. Last week was Fresher’s Week (or ‘Welcome Week’ as it was more officially referred to), and I spent a fair proportion of it trying not to think about how I was old enough to actually be a parent to most of the newly arrived students who were thronging around in a way that occasionally made me want to shout “For God’s sake, stop being so YOUNG!” like a crazy person. (My Dad was pretty much my age now when I went to University first time round. That’s certainly given me pause for thought.)

    But thankfully, not all of it was spent consumed with going “Aaaarrrggghhhh!” at the concept of morality and time passing. It’s been a fairly action-packed first week, and the first day – last Monday – turned out really well. Honestly, I was kind of terrified before I went in – I’d been working towards this course for so long, and there’s a lot riding on getting this right, and there’s all sorts of issues connected with my writing confidence as well – but the day went well. A big meeting of the whole Arts, Languages and Cultures school was followed by the first official meeting of the Creative Writing MA, and while it was intimidating, it went well and also fired a ton of information at me. (I was also able to sort out the dates that I’m going to be submitting fiction in the first semester – dates that, considering I just decided to junk my original idea and start with something new – are thankfully far enough in the future to give me room for manouver.)

    Then, there was a drinks reception where I once again discovered the socialising aid that is free red wine. I was soon talking nine-to-the-dozen to a lovely bunch of my fellow students, and the conversation continued into the Chinese meal that followed at the Red Chilli Restaurant just across the road from the University (where the food was pretty damn splendid), and afterwards there was an equally talk-filled session at a nearby bar. I even ended up having a pretty lengthy conversation with author (and course lecturer) Geoff Ryman about a dizzying number of subjects, and I came out of the whole day with my brain fizzing – both with alcohol, and with ideas, thoughts and writing approaches.

    Since then, there’s been a lot of sorting out to be done – I’ve gotten myself a Student Union card (hellooooo student discount), a bus pass for this term, I’ve sorted out access to the University wi-fi, and gone to a relatively interesting lecture about coping with an MA as a part-time student. I also briefly visited the ‘Welcome Fair’ on Wednesday, the event where you can join up with any university society under the sun, and which felt like an even more intense version of a Comics convention, except where the stalls were all about Neuroscience, Board-Games, politics, religion and BEER. There was an excellent event on Friday at the Manchester Museum (which is also part of the University), where I got to hear a talk from one of the curators about their fantastic Egyptology department, and the whole week essentially left me with my brain spinning in a very positive way.

    In certain ways, I’m wishing I could have gone somewhere like Manchester first time around. In other ways, I think it’s possible that wherever I’d gone to University first time round, it wouldn’t have been ideal – I was a naive late teenager who knew nothing about the world, and really needed to grow up. Sometimes, it takes a while to find your path. It took me a while, but I feel like I’ve found it now.

    The real challenge begins from here onwards. I’ve already critted the first piece of work for my Fiction workshop (which officially kicks off tomorrow), and I’ve got an idea for what I’m going to be submitting that I need to hammer into something resembling a decent shape. I’ve even – shock! horror! – had an idea for a short story that I actually want to write. Balancing what I need to do with what I have to do (especially since I’ve got a trio of articles to complete over the next couple of weeks) may not be the easiest thing in the world, but it feels achievable.

    For the last eighteen months or so, my life hasn’t been at its best. Lots of things have gone wrong, or not turned out how I’d hoped. My confidence took some major knocks as a result. But now, for the first time in a long while, I feel like I’m on the right path. And I think it’s going to be an interesting challenge finding out where it goes…

     

  • Chronicle of a Creative Writing Student Foretold…

    I’m a University student again.  Today is the official ‘welcome’ day for the Creative Writing MA course at the University of Manchester, and I’m going to be there (from about 1.15pm onwards), listening to everything, and trying to tell myself that no, nobody’s going to tap me on the shoulder and say “You know, you’re really not meant to be here, are you?” Today is the first point where it’s really, seriously going to feel real, and it’d be an understatement to say I’m a bit nervous. The last eighteen months have been a strange and sometimes difficult period for me – things have gone wrong, or not gone the way that I’ve wanted them to, and one of the hardest realisations has been that I’ve been spending so much effort on the simple act of surviving and keeping myself financially afloat, and haven’t always been focussing enough on exactly why I’m trying to survive.

    Confidence is not an easy thing to keep up, especially when relating to writing, but ultimately I know what I want, and what I want is to be better. Yes, I want to be published, but I’ve spent a big chunk of the last two years worrying too much about that, and about other people’s opinions of me, and there’s only so far that can get you before it becomes a millstone around your neck. The most important realisation to hit me for a while was a recent one, and it was this: Being a better writer is more important to me than being published. If I wanted the immediate hit of being published, I could chuck my first novel up on Amazon as an e-book tonight, if I wanted – but I don’t want to, because it isn’t good enough yet. And one of the main reasons I’m doing this course is that I want to be good enough, I want to have a sharper understanding of how fiction works, so that I don’t feel so much like I’m wandering into a very large and dark room with the tiniest torch known to man and hoping I can find my way through.

    Feeling out-of-place isn’t an unfamiliar feeling for me. It’s my default operating mode, and some of that just isn’t going away – but this course is a big step for me. It’s the first time in years that I’ve deliberately taken a big step to shape the rest of my life. I want to make the most of it – especially since, one way or another, I’m paying for every penny of this course and it ain’t cheap. Part of my brain is panicking at the idea that I might screw this up, that throwing myself at a pretty heavy duty course that’s very focussed on contemporary fiction might just end up the equivalent of a slow-motion car-crash for me… but, frankly, I’ve always had a doomy and pessimistic side. And sometimes, you’ve just got to look your doomy and pessimistic side right in the eyes and tell it to shut the hell up and mind its own business.

    So that’s what I’m going to do. Later on today, I’ll be meeting my tutors (who include Geoff Ryman, author of 253 and Was,  a fact that is going to cause me a certain degree of OH MY GOD THAT’S GEOFF RYMAN ARRRRRGGGHHHH), meeting everyone on the course, and then there’ll be drinks and a Chinese meal. I’ll finally be able to get my head around where this course will take me. It’ll start feeling real.

    It’s a big step. But one that I’ve got to take.

    Here goes…