Reviewer: Saxon Bullock (aka @saxonb)
Hard as it is to believe, there were other comics than Justice League #1 published this week – like Flashpoint #5, the finale to the timeline-altering crossover miniseries which has never quite managed to be as interesting as all the tie-in Elseworld-style action going on around it. Naturally, it all comes down to family, and Geoff Johns ends the story in a way that will surprise nobody who’s ever seen a ‘Dangers of altering time’ tale, but does at least provide the right levels of colourful melodrama. It’s an average comic that doesn’t really deserve the weight of being the final comic published by DC as part of the ‘regular’ universe (although the big change happens here) – Flashpoint #5 isn’t actually bad, but it also isn’t quite the world-shattering conclusion that we might have expected, even if the often-used promise that ‘things will never be the same again’ does at least seem to be partially true now…
Another Locke and Key issue, another home run, and another example of what’s probably the most consistent and inventive comic currently being published. It’s a kooky, deliriously twisted mix of dark fantasy, emotional drama and outright horror that’s continuing to excel – this is one of the quieter instalments, but one which builds to a powerful finale, as Hill starts pulling all the storytelling strands together. There’s still time for some gorgeous visual moments and off-kilter wit, while one particular revelation arrives a hell of lot sooner than I expected. There’s only ten issues of the overall story left following this, and while I don’t know where Hill is taking the characters, I’m sure it’s going to be (a) traumatic and (b) unmissable.
Now, that’s the kind of creative team that gets me reading a comic simply to see what they’ll do, and it doesn’t disappoint. Ellis does fast, whip-smart action combined with sarcastic one-liners better than anyone, and combine that with Jamie McKelvie’s clean, crisp artwork and you’ve got a witty, wild and hugely entertaining romp. Okay, I barely had an idea of what had gone before in the series (which follows Steve Rogers and various other characters on ‘black ops’-style missions), but by the end of it I was having so much fun that I didn’t care. Worth it, simply for lines like: “Relax. I’m too borderline psychotic to feel pain.”
Biggest surprise of the week was how much I enjoyed this – the first issue in the next phase of Buffy the Vampire Slayer’s comics-bound afterlife. The 40-issue long Buffy Season 8 was fun in parts, but arguably got out of control and certainly went on a bit too long; now that Dark Horse has the rights to Angel back from IDW comics, they’re now going to be running parallel series dealing with the new Buffyverse reality, where the world’s been sealed off from magic (thanks to Buffy’s actions at the end of season 8), and where Angel is now having to deal with the repercussions of his actions as Twilight, including the murder (while he was possessed) of longtime character and ex-Watcher Rupert Giles. Briskly written, entertaining and packing a hell of a lot into its 22 pages, this is everything you’d want from a spin-off comic, while the art from Rebekah Isaacs carefully rides the line between cartoony and capturing decent likenesses of the cast. It’s no classic, but it does look like this latest arrival from the Buffyverse is going to be worth keeping up with…