TV EYE: Flashback – Classic Who Overload (Part 1)

There are certain bargains that I can ignore, and then there are the ones that I can’t. Wandering into budget music/DVD shop Fopp a few weeks back, I was flirting with the idea of maybe being naughty and picking myself up something on DVD – but then what I saw told me that yes, I was in trouble, because they had a fairly significant pile of classic Doctor Who DVDs, and virtually all of them were £3. Within minutes I had a frighteningly large pile of discs, and I did end up being strategic and not simply getting every single one that I didn’t have (I’m not a Who completist – there are stories are love, and there are stories I’ll be happy to never ever see again (Hello, Resurrection of the Daleks…), but I did end up emerging with a pile of ten new Who DVDs (one box set, and six seperate releases). Some of them were the chance to replace stories I previously had on VHS, while others gave me the chance to see stories I hadn’t seen for an absurdly long time, and there were even a couple that I’d never actually seen at all. And naturally, they set off lots of thoughts about storytelling, what the show means to me, and the constantly evolving relationship between classic Who and New Who. And as usual, fear the spoilers…

Planet of Evil, The Keeper of Traken, Logopolis, Castrovalva, Four to Doomsday

Detonation Imminent…

Okay, the news is filtering around the Internet and sure to be causing various Whedon fan message boards to explode with rage, but there’s a new Buffy movie being developed by the people responsible for the original (not exactly exceptional) movie, and Joss Whedon currently isn’t involved. It’s not hugely surprising, especially with the current success of Twilight, that the people who own the rights of Buffy are thinking of doing this (Vampires? Romance? Action? Attractive teen leads? Ker-ching!) It’s apparently planned as a ‘relaunch’ or reboot, and while this does cause a certain rolling of the eyes at yet another example of Hollywood eating its own tail, it isn’t necessarily a bad idea in theory. Not saying it’s a “can’t miss” idea, either – in practice it will, to be honest, probably not turn out well – especially since one of the Exec producers is Roy Lee, a producer who’s been singlehandedly responsible for virtually all of the pale and unconvincing Asian Horror remakes that have clogged up screens for the last few years.

But to be brutally honest, Buffy always worked best when she was at high school. The show was at its strongest, and the metaphor was it its strongest, when she was a 16-17 year old struggling with adolescence and the travails of battling the undead. Not to say there wasn’t some great material after the end of Season 3, but it only rarely hit the heights of earlier episodes (especially my favourite run, the second half of S2) and did, frankly, turn into a bit too much of an extended soap opera at times (especially during S6). Added to which, while there may be a sense of “why can’t they get the original cast back”– they’re all in their thirties (or, as in James Marsters’ case, their forties), and I really think that the time for a big reunion episode has passed. (I actually watched an episode of Buffy for the first time in a while recently (S4’s ‘Something Blue’) and while there’s still some great moments and some great dialogue there, there was something about it that slightly set my teeth on edge – it’s possible that my time as a Buffy/Angel fan may have passed as well…). Dark Horse’s ‘Season Eight’ comic is actually doing a pretty entertaining job of continuing the story on a scale they’d never have managed on TV, and sometimes things reach their natural end.

So while I’d be surprised beyond words if a new Whedon-free Buffy movie was good, it’s not a complete impossibility. And I think that the central metaphor is strong enough to handle different interpretations. It might be interesting. It might not. But whoever does end up doing it would be wise to not ignore everything that the series did get right – and they’d also better be prepared for a rough ride from the fans…

Mind Meld

If my previous outpourings about the Galactica finale weren’t enough, I’ve also contributed to SF Signal’s regular Mind Meld feature, where lots of people ponder a single question. In this case, the question was “BSG has ended, and no one appears to be thrilled with the finale. What would you have done differently, if you could run the show?” If you’re not too terrified, my answer (along with others including paulcornell2, ianjclark and wrong_questions) can be found here…