Movie Trailer: The Thing (2011)

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I’ve been intrigued by the idea of this film for a while – it’s a risky idea, but then this does seem to be the era for receiving unexpected sequels/prequels to Eighties films that flopped on release, but built up a major cult reputation in the years that follow. It counts for Tron – but John Carpenter’s version of The Thing is a different kettle of fish, a film that isn’t just remembered well out of nostalgic affection but is a genuinely brilliant, savagely nasty piece of horror filmmaking that was simply not released at the right time. It’s still an amazing piece of work – tense, dark and claustrophobic, and what’s really impressive is exactly how well the truly insane creature effects have stood the test of time, simply thanks to the demented imagination of chief make-up effects guy Rob Bottin. Attempting to even equal that, let alone better it, takes a hell of a lot of nerve – and what we’ve ended up with the 2011 incarnation of The Thing is a rather odd example of a prequel that essentially looks to be a loose remake (in the way that most horror sequels were, back in the Eighties) but which does fit into the timeline of the earlier film, essentially showing us what happened at the Norwegian base where the shape-changing alien monstrosity was first uncovered.

Of course, just to make this even weirder, this means that in certain ways, this’ll actually be closer (at least in its opening sections) to the 1950s original The Thing from Another World, which the Carpenter film itself was a remake of. And, just to make things extra-confusing, they’re basically selling it as a remake and calling it The Thing. Considering it’s a story about an alien that turns itself into what it consumes, all this duplication is probably fitting – the trailer is not bad, and certainly makes clear that they’ve at least well-cast the film, with Mary Elizabeth Winstead looking like a good choice for the lead, and Joel Edgerton being the sort of excellent and rugged-looking character actor that John Carpenter would have stuck in a film back in the Eighties. The screenplay is from Battlestar Galactica mastermind Ronald D. Moore, so there’s at least a good chance that this will be a respectful attempt to measure up to the 1982 original. For fans of the Carpenter film, there’s of course the danger that this could end up as a carbon copy – certain shots in the trailer are note-for-note duplicates of shots from the 1982 original – and the real test is going to be the creature effects, which they’ve sensibly kept under wraps in this trailer. At the least, this could be a fun bit of pastiche that’s actually attempting to capture what made the original great (unlike the Assault on Precinct 13 remake, which completely missed the point), and again it’s amazing to see another under-appreciated gem from my childhood getting a multi-million dollar remake/follow-up. However, it’s going to have to have a lot more than funky visuals, and if it’s a missed opportunity I don’t think anyone’s going to be as forgiving as they were with the fun but deeply flawed Tron: Legacy…

Movie Trailer: Mission Impossible – Ghost Protocol (2011)

Now, I’m not sure that anyone was actually saying to themselves “You know what I’m desperate to see? A fourth Mission Impossible film!” It’s not as if there are extra layers to find out about IMF Agent Ethan Hunt, other than him being a chance for Tom Cruise to do cool stuff, and the previous films have also been tonally all over the place to an extent that’s rarely seen in film series (from the overdone Le Carre action of Brian DePalma, to the ludicrous pomp of John Woo, and the fun but deeply forgettable JJ Abrams). However, throw Incredibles director Brad Bird into the mix – finally making his live action debut – and you’ve certainly got me interested. Now we’ve got the first trailer for Mission Impossible – Ghost Protocol, and it’s certainly one of the more weirdly constructed trailers I’ve seen in a while. There’s several deeply cool moments in here, and some shots that certainly hint at how Bird’s visual style is going to transfer (especially into the action sequences, considering that The Incredibles is dangerously close to being a flawless action movie), and yet there’s a lot of stuff that, to be honest, looks a bit daft – most of it involving Tom Cruise running REALLY FAST, or Tom Cruise doing that odd face he does when he’s fighting. There’s also the decision to slather an Eminem track over half the trailer (because when I think of sexy spies on the run and the title ‘Ghost Protocol’, I think ‘Eminem’), the way the trailer seems to reboot itself halfway through to be a completely different tone, and the unintentionally homo-erotic showdown between Tom Cruise and Jeremy Renner (Not that there’s anything wrong with that…). I’m still very interested in how Mission Impossible – Ghost Protocol is going to turn out – but here’s hoping any future trailers are a little more willing to blow me away…

Movie Trailer: The Muppets (2011)

It’s difficult to have grown up in the late Seventies/early Eighties and not have the Muppets imprinted somewhere on your pop culture consciousness. Jim Henson’s joyously anarchic cast of felt-and-fuzz puppets were a genuine sensation in their time, but they haven’t always maintained a fantastic profile or quality ratio since – meaning that when ‘The Greatest Muppet Movie Ever’ was first announced, I was genuinely intrigued. There’ve been lots of rights issues on the Muppets (with the characters now being owned by Disney) that had delayed any new Muppet projects for a while, and there was a serious move happening to try and do a movie and relaunch the Muppets in the public eye, but what really impressed me was when Knocked Up/Forgetting Sarah Marshall star Jason Segel got involved simply because he really, really wanted to see a Muppet movie done right, and ended up both starring in and co-writing the movie.

After the initial teaser trailer (the fantastic spoof ad for terrible-looking romantic comedy “Green With Envy”), the Hangover 2-themed teaser and the Green Lantern-themed teaser, we’ve finally got a full trailer for the movie (which has been retitled with the less distinctive (but understandable under the circumstances) “The Muppets“) – and it looks like Segel, along with Forgetting Sarah Marshall co-writer Nick Stoller, has done a really good job in capturing the Muppets’ uniquely oddball mix of fun, sentiment and nonsensical mayhem. Now, if only the distributors could get themselves sorted out so that the UK doesn’t have to wait an extra two months (until February 2012) before we actually get to see it…

Movie Trailer – The Girl with the Dragon Tattoo (Updated – now with HD Version…)

Rooney Mara Girl with the Dragon Tattoo David Fincher Remake Publicity Shot

Okay – I don’t usually like posting shakycam Youtube recordings of footage – but when the red-band trailer for David Fincher’s upcoming remake of The Girl with the Dragon Tattoo hit the net, I couldn’t resist. I was already intrigued by the idea, especially after exactly how good The Social Network turned out to be (especially when I’d become a little unsure of Fincher – I hadn’t exactly been entranced by The Curious Case of Benjamin Button, and I still haven’t seen Zodiac…), and when I heard Trent Reznor and Atticus Ross were doing the soundtrack, I became genuinely excited. The Social Network soundtrack is something I’ve had on near-constant play since it came out last year, and while I’m not onboard with the critical love the original film version got (I thought it was an intriguing, well-acted but slightly overlong and pulpy thriller), I was definitely keen to see what Fincher did. And now we’ve got the first trailer – and even in shakycam Youtube format, this is something else. This won’t be up for long, and a full-quality version will be hitting at some point next week (and well done if you’ve got that level of patience), but if you’ve got the chance, click below, as this is a seriously well-crafted trailer…

(Update – 1/6/2011 – Well, Sony have finally yanked the redband from Youtube, but we’re still waiting for a proper, official release of the trailer. There’s a greenband, safe for work version floating around (which has no blood or nipples, I’m sure you’ll be delighted to hear) but that keeps getting taken down as well. Tomorrow should be the day for it turning up in full-on HD, and not before time…)

(Further Update – 2/6/2011The official teaser is now up at the Apple site in glorious shiny high-def, and I’ll be slapping an official Youtube embed up here as soon as possible (it’s an Apple exclusive at the moment). Of course, it’s the green-band, work-safe version (with none of that bloodletting or nudity, thank-you-very-much), and rather annoyingly they’ve also cut a few sections of the trailer that worked perfectly well before (there was a tracking shot close to the beginning that worked brilliantly with the music, and now isn’t there. And the previous end of the trailer, which went from the fantastically blaring titles to a quick shot of Rooney Mara and the brief caption “She’s Coming”, has now lost the “She’s” part. Que?). For those who’ve seen the redband, it’s still a strong trailer, but it is interesting how removing the slightly harder images does at certain points make this look like an extremely dramatic film about people walking through doorways. Cracking cover version, though (with vocals from Karen O, apparently), and I’m still definitely intrigued…)